As we edge our way closer to the first print issue of Bruja Magazine, we peel back the layers of artist Andrea Atia. Her work does not whisper—it burns. Her portraits smolder in crimson and shadow, holding a tension between concealment and revelation.
The veil in her imagery is never just fabric; it is the thin line between the self we guard and the self we dare to show. Within that darkness, embers of truth glow—proof that shadow is not the opposite of light, but the fuel that makes it burn brighter.
Her subjects are not afraid to stand in the fire. They become it.
